QEB teachers are masters in their respective dance expertise and come from diverse backgrounds within the performing arts world.
In addition to our main faculty members below, QEB has sponsored and offered master classes with renowned teachers such as Lawrence Rhodes (Artistic Director, Juilliard Dance Division), Bruce Marks (Former Director, Boston Ballet and Former Principal at ABT), Finis Jhung (Master Teacher, New York City), and Yasuki Sasa (Head Ballet Teacher 1968-1983 at UH Manoa and Former Soloist with American Ballet Theater).
From Colombia, trained at the Neubert Ballet Institute and the New York High School of the Performing Arts while on scholarship at Joffrey Ballet School. She danced with Ballet Arizona for eight seasons, as well as with Garden State Ballet, Princeton Ballet, Eglevsky Ballet, Connecticut Ballet, Sacramento Ballet, Albany/Berkshire Ballet, American Repertory Ballet, and Ballet Chicago. Featured roles include the Cowgirl in Agnes de Mille’s Rodeo, Sugar Plum Fairy in The Nutcracker, and Principal In George Balanchine’s Valse Fantasie. She was a cast member of the national tour of The Phantom of the Opera and Radio City Christmas Spectacular in Mexico City. As a choreographer, Minou has created works for Ballet Arizona, New Choreographer’s on Point, Youth America Grand Prix Competition, Three Phantoms in Concert, Latin Choreographers Festival in NYC, Hawaii Opera Theatre (Pearl Fishers, Turandot, and Sweeney Todd), Queen Emma Ballet, and Ballet Hawaii. She is founder and Artistic Director of Onium Ballet Project, which has regularly collaborated with Chamber Music Hawaii, creating new original ballets to Stravinsky’s L’Histioire du Soldat, Barber’s Summer Music, Milhaud’s Creation of the World, Hindemith’s Der Damon, Martinu’s La Revue de Cuisine, Copland’s Appalachian Spring, Miguel del Aguila’s Clocks, Prokofiev’s Trapeze, Arvo Part’s Fratres, Osvaldo Golijov’s Lullaby and Doina and Gabriela Lena Frank’s Leyendas. Minou teaches at the University of Hawaii and has been teaching and choreographing at Queen Emma Ballet for fourteen years. She enjoys sharing her love and knowledge of this beautiful art form with the next generation of dancers.
Received a B.A. in Education and a M.F.A. in Dance from the University of Hawaii. She studied with Reiko Oda as a child and continued her studies in Hawaii and New York City. Before founding Queen Emma Ballet with Eve Walstrum, Suzanne choreographed and performed statewide, was the recipient of State Artists-in-the-Schools grants and several choreographic awards by the Hawaii State Dance Council. She is married to Lawrence Rowland, and they have a daughter and a son who both danced with QEB. She considers herself so fortunate be able to combine her love of ballet with the joys of working with children and young adults.
Artistic Director Emerita
She received her early training at Joffrey, Harkness, and New York School of Ballet. At New York School of Ballet she trained under founding teachers Richard Thomas and Barbara Fallis. Her first professional company was Eliot Feld’s American Ballet. She then took her career international and joined Batsheva Dance Company, a well-known contemporary company in Tel Aviv, Israel. Her most influential and fulfilling professional dance came with her tenure of 12 years at Netherlands Dance Theater(NDT), an internationally acclaimed company. She was honored to dance under and originate roles in ballets with world-renowned NDT artistic director Jiri Kylian, whose choreography is highly sought by dance companies worldwide. After retiring from professional dance, Eve moved to Hawaii and founded Queen Emma Ballet with Suzanne Rowland in 1989. Eve has choreographed for University of Hawaii at Manoa, Ballet Hawaii, Dances We Dance, and Tau Dance Theater, among others. At UH Manoa, Eve taught the advanced ballet class for 25 years. Eve wants to help her students reach their full potential, improve their self confidence, and strengthen their artistic expressiveness. She aspires to instill in all her students a joy of movement.
Born in Guadalajara, Mexico but grew up in Orange County, California where he first received his dance training. At the age of seventeen, he moved to Los Angeles to continue his studies. His path took him to Japan where he taught and performed for two years. He has also worked in film, television and the stage in the U.S. He was cast as lead dancer in the Broadway production of The Lion King and as lead dancer and Dance Captain for the touring company, as well. Touring gave him the opportunity to teach in studios around the country and eventually brought him to Hawaii and Mid-Pacific Institute where he has been teaching contemporary dance for the past two years. "I have been so blessed my entire life, but to now have the opportunity to pass the torch to young dancers here in Hawaii is a dream come true. Truly the Circle of Life."
A proud home-grown Queen Emma Ballet dancer, studying under Suzanne Rowland, Eve Walstrum, Michael Sanders and Andrew Sakaguchi from 1998-2005. Journeying to the east coast for college in Massachusetts, she was a 4 year member in Clark University's Dance Society, a co-director for 2 years, as well as the coordinator for the polynesian dance for their annual international gala. Returning to Hawaii after graduating, she has taught and choreographed for both Keiki Dance and Pre-Ballet at QEB, and is excited to expand sharing the love of dance to include Jazz 1
Born and raised in Honolulu. She has a Bachelors in Fine Arts from the University of Hawaii at Manoa, and prior to at also graduated with IB Diploma Honors in Dance from Mid-Pacific Institute School of the Arts (MPSA). She trained in ballet, jazz, contemporary, and modern with Queen Emma Ballet, Honolulu Dance Theatre, and Peridance in New York City. She also holds a certification (PMA) in Pilates. In terms of influences, she “tries to take a little piece of all of my teachers, choreographers, and fellow dancers and apply it to how I teach/choreograph. I’m constantly learning and adjusting my views and I encourage my students to do the same.” She teaches “because I strongly believe that dance helps create strong, organized, and confident people. It is a discipline that affects our actions in everyday life, not just in the studio.” She aspires to instill in her students: “That the real beauty of dance comes from the inside and not what the outside package looks like. The smallest person may dance just as big as taller dancers, and you can be any size and still look graceful and beautiful on stage.”
Well known to audiences as director of Diamond Head Theater. He has directed and/or choreographed many musicals including Into the Woods, La Cage aux Folles, Anything Goes, Hello Dolly! and most recently The Producers. John is a 32-time Po’okela Award winner. He has headed award-winning productions at LCC and Manoa Valley Theater also. John is the recipient of the Hawaii State Theater Council 2006 Pierre Bowman Award.
From Honolulu, she began her dance training locally. Later on, she trained professionally at The Alabama School of Fine Arts, with Dame Sonia Arova and Thor Sutowski, as an apprentice with the State of Alabama Ballet. She also trained at Chicago City Ballet with Maria Tallchief and North Carolina School of the Arts. In Hawaii, she trained under Nolan Dingman, Alaine Haubert, Eve Walstrum, Michael Sanders and Paul Maley. She enjoys "sharing the science, artistry and power of movement" with her students. She has performed in numerous local productions with Ballet Hawaii, Honolulu Dance Theater, Hawaii Ballet Theater, Diamond Head Theater, and Tau Dance Theater.
From Wailuku, Maui. Her formal dance education background includes, Maui Academy of Performing Arts, UH Manoa, and the Broadway Dance Center, Ailey and Peridance studios in New York City. In terms of influences, she writes, “My teaching style is influenced by Kat Wildish, a former dancer with NYCB and ABT, who currently teaches in New York City. She emphasized correct body placement for adults with fun and dancey combinations.” She writes about her teaching philosophy: “I teach adults because they are in class because they want to be there. I love sharing my love of ballet with them and watching them progress in their ballet development. I believe that everyone can get better and try to help the adults work with their bodies to better understand ballet technique.” She's stage managed and been the dance captain for The Mystery of Edwin Drood, Cinderella, and Flower Drum Song at Diamond Head Theatre and was the dance captain for Meet Me in St. Louis. She has danced recently with the Onium Ballet Project.
Has more than 20 years of experience teaching jazz, choreographing, and directing dance companies, including Kamehameha Dance Theater, the Jazz Factory, Big City Productions and the UH Rainbow Dancers. At QEB, Pamela teaches our Mat Class.
1999 - Certified in Pilates Mat and Equipment
2005 - Certified in Bones For Life, a Feldenkrais modality
Has been dancing since the age of six. He received his early training in the Denver metro area with Aurora Dance Arts and Denver Contemporary Dance. At the age of fifteen David attended Interlochen Arts Academy in Michigan where he graduated with a Fine Arts Award. Mr. Barbour went on to train at the Joffrey /New School BFA program under the tutelage of master teachers Rebecca Wright, Trinette Singleton, Eleanor D’Antuono, and David Howard. David has danced professionally with Aspen Santa Fe Ballet and Ballet Nouveau Colorado. With Aspen, he had the pleasure of originating roles in ballets by such luminary choreographers as Nicolo Fonte, David Parsons, Moses Pendleton, and Jacapo Godani. David also danced in works by Septime Weber, Dominique Dumais, Trey McIntyre, Paul Taylor, and Twyla Tharp. During Mr. Barbour’s tenure with Ballet Nouveau Colorado, he danced in creations by Garret Ammon, Mark Godden, Ma Cong, and Alex Ketley. Ballet Nouveau Colorado was named one of Dance Magazine’s “25 to Watch” during David’s time as a member of the company. Mr. Barbour has taught and choreographed throughout the US. His works have been presented throughout Colorado by various schools and companies. He has also been the Associate Artistic Director for Colorado Conservatory of Dance. David has found great joy in teaching dancers how to express themselves through movement, and learning how to be better dancers and people.